Jean-Louis Dutraive's entire stable of wines falls into the elite category of Cru Beaujolais. While he has various parcels in Fleurie, the Clos de la Grand Cour always thrills me for its lightness and ethereal pitch.

The Clos de la Grand Cour is a true walled-in vineyard, with up to 80-year-old vines growing on almost pure granite with a thin topsoil. The wine ages 35% in stainless steel, 30% in fûts de chêne, and 30% foudres for 9 to 12 months. Lifted spices meet fresh raspberry and cherry to give a delicate wine with a deep texture and a long finish.

The old-vine cuvée, Le Clos, takes the concentration and intensity up with darker red fruits and penetrating salinity. With its deeper soils, the Chapelle des Bois gives a more satiny texture with less incisive minerality. And the Brouilly shows a more muscular side of Dutraive's still charming and approachable form.

Compared to other titans of Beaujolais, I find Dutraive's wines are often lighter in color, with more lifted spice and a wild, natural element that stands out due to a low sulfur protocol. I try to wait several years after release to tap into these top cuvées. Aged Dutraive is pure magic when fruit begins to fall to the background, and exotic spices become more prominent.

The 2022s are a giant success at this address and prove that Jean-Louis is still one of the benchmarks of the Beaujolais.

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Photo by Ted Vance

Since 1481, there have been 16 generations of unbroken lineage at the Chave estate along the Rhone River's towering granite slopes. When we look closely at the birthplace of Syrah, there's no name more respected than that of Jean-Louis Chave.

Saint-Joseph's boundaries have expanded immensely since the appellation gained AOC status in 1956, but Chave's choice parcels still represent the best and most serious terroir. Here, there's an underlying mineral component that provides the backbone to their wines, and it's this definition that allows them to age effortlessly. Examples of Saint Joseph from the late 1990s have floored me with their sense of vivacity, freshness, and regal structure.

Jean-Louis Chave joined his father Gérard in 1992 after completing his studies in enology at UC Davis. Once home, his primary mission was to re-plant the steep slopes of Saint Joseph—the same hillside where the domaine first began, but the vineyards laid fallow since the 19th century when phylloxera decimated them. Jean-Louis knew these treacherously steep hillsides in Saint Joseph could produce a magnificent yet value-conscious alternative to Hermitage.

It's been nearly three decades since these terraces were re-built by hand, and vines were re-planted among traditional échalas stakes. Today, the results are stunning wines that remind us the root of Rhone's success comes from hands-on work and attention to detail, something the Chave family has personified for hundreds of years.

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Photo Credit: Grand Cru Selections

 

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We all have regrets. One of mine was passing on Bitouzet-Prieur Volnay and Meursault when I turned on the lights in 2015. A friend once said, “If you’re not embarrassed by choices made in the previous year, then you’re not growing.” The 2020 vintage of this domaine marks my redemption.

With winemaking medals galore filling the home of Vincent Bitouzet back in 1860, the marriage to Annie Prieur after that marked the official start of what is now the most classic domaine in Volnay, along with Lafarge. And the whites from vineyards like Meursault 1er Cru Charmes and Perrières are now another great reminder that value is alive and well in the Côte de Beaune.

I only have a few wines from Bitouzet-Prieur, but they are the best cuvées to me after an extensive tasting with the domaine in Brooklyn last year. The Volnay is destemmed, and pigeage (punchdowns) occur twice per day—a process that has seemingly gone out of fashion in Burgundy of late as many opt for remontage (pumpovers) to bring softer contours and more immediacy to the fruit. But the 2020 Volnay is pure class and is precisely the type of Burgundy I seek out—from the greatest red village of the Côte de Beaune.

The whites see extended lees contact and a maximum of 20% new oak. They pull back on the fruity Chardonnay traits, instead digging deep for a saturating mineral through-line that reminds me of wines common pre-2005 heat. Still bursting with site-specificity and deliciousness, they take my mind back to another time with their soft-spoken spirit.

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Florence Cholet's under the radar wines

Chateau Tertre de La Mouleyre is not your typical Grand Cru Bordeaux, but it is the real Saint-Emilion deal. The 2016 vintage left me so in awe that I took every case allocated to California, with only 350 cases produced annually. Those are long gone, but I've gone deep on every release since then.

To place Chateau Tertre de la Mouleyre in the garagiste category would be a mistake. While they don't have the same typicity as grand chateaux in the classified growths, they marry the two philosophies for the perfect storm: Bordeaux ready to drink upon release with immaculate construction.

The blend is 80% Merlot and 20% Cabernet Franc from 50-year-old vines. 35% ages in large neutral cuve and 65% in new French oak barrels. I'm immediately inclined to describe this gem as old school and traditional, but its warmth and charm afforded by today's climate carry a level of finesse and complexity that is pure Grand Cru.

Tertre de la Mouleyre is named after the windmill atop the clay and limestone slope in St-Étienne de Lisse. From a young age, Eric Jeanneteau helped his grandfather in the vines, and his interest never diverged for a moment. After three degrees in viticulture and stints at grand chateaux, Eric returned home to implement a full organic regimen to his family's vines.

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Champagne from the grower-producers is better than ever. The writing was on the wall when I was living in France in 2012, and it felt like a sea change was underway––I was probably late to notice, but still, names like Agrapart and Chartogne-Taillet became part of my weekly hauls from the local shops in Beaune. One of the names that I was introduced to early on was J. Lassalle. And, though their entry-level pricing has remained astonishingly low at $40, all their champagnes punch well above their price point.

The rosé champagne is a wine that holds a special place in my heart within its category. The pale copper-hued stunner has perfect balance and expertly judged ripeness and dosage. However, I'd be remiss if I didn't use this time to talk more in-depth about the Cachet d'Or 1er Cru Brut Réserve––at $40, it's the most obvious price anomaly in the world of grower-champagne. Aged for three years on lees before disgorgement, it carries both the rich brioche notes you'd desire, with all the finely-woven chalky minerality that is a prereq to go hand-in-hand with the more recognized grower names that sell for double the price. The blend is as classic as the style––equal parts Pinot Noir, Pinot Meunier, and Chardonnay, all from 50+-year-old vines in Premier Cru villages in the Montagne de Reims.

In 1982, after founder Jules Lassalle's passing, his wife, Olga, and their daughter, Chantal, took the reins. In 2006, Chantal's daughter, Angéline, took over as winemaker. "Une femme, un esprit, un style" (one woman, one spirit, one style). The inimitable Kermit Lynch has imported J. Lassalle for over 50 years––the longest relationship in his portfolio of legendary names.

 

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Sylvain Pataille is famous for three things: Producing some of the most texturally seamless and balanced wines in the Côte de Nuits, his oenologist consulting for over 15 domaines, and having really awesome hair. My visit to the domaine was a terroir masterclass, as we tasted over 20 wines from Marsannay.

Marsannay and Pataille are a match made in heaven. Both have seemingly flown under the radar for far too long. Search through any savvy Burgundy collector's cellar, and next to the Rousseau and Dujac, you're sure to find a host of Pataille's Marsannay. This village located above Gevrey Chambertin has a complicated history, though. Mainly planted with Gamay at the time of classifications, no vineyards could receive a status higher than villages.

Today, Clos du Roy would undoubtedly be a Premier Cru, and it's a steal within the hierarchy of Burgundy's elite. There's never shyness here, always finding that elusive mix between power, elegance, and silken tannins without overt new oak influence. And, believe it or not, Le Chaptire's historical pricing in the 16th century was only surpassed by Chambertin-Clos de Beze. It's still among the ultimate insider lieu-dits and an equally worthy cellar mate with Clos du Roy.

 

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Southern Rhône rarely struggles with ripeness, but finding harmony in even the top cuvées of Chateauneuf can be challenging. That's why the 2020 vintage has been on my radar. If there's one characteristic that this vintage has endowed, it is balance and refinement. And, no domaine executed better than Kermit Lynch's iconic import, Domaine du Vieux Télégraphe. Situated in the far southeast of the appellation on the enviable high-elevation plateau known simply as "La Crau", the Brunier family began tending these vines in 1898. If there is a CdP Grand Cru terroir, this is it. Iconic and mesmerizing bottlings stretch back decades (see below) from the brothers Daniel and Frédéric.

The tell-tale signs of Brunier's CdP are always a red fruit dominant core with rose petals, inimitable garrigue, smoke, and a strong mineral presence that combines with the sturdy but rounded tannins to allow these to develop for decades. A bottle of 1988 that I opened earlier this year was a revelation, though expectations are always high when old bottles of VT with excellent provenance make their way to the table. 2020 is the most anticipated vintage for me since the 2016 release. 2020 is one of those vintages that has it all for the southern Rhône––finesse, concentration, palate-gripping intensity, and a fresh, crisp finish.

 

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We reserve our biggest boats for the most prime catches. Today that means Jean-Michel Stephan's first-time cuvée from Syrah vines planted just outside Côte Rôtie's zone. This 100% Syrah, labeled Vin de France, was the most transcendent find for us in a long time. At $39 per bottle, this wowed us for its Côte Rôtie-like concentration of blackberry fruit, roasted meat notes, with loads of lavender and black pepper––the intensity we're accustomed to finding in bottles well over $75.

Maison Stephan's Syrah comes from just one hectare of vines in Ampuis and Chasse-sur-Rhône. As is the norm here from a Marcel Lapierre disciple, Stephan relies on carbonic and semi-carbonic fermentation with native yeasts and zero additives. Unfiltered and unfined without sulfur. Aging six months in stainless steel means this 2022 harnesses the primary fruit from the sunny growing season and has a fresh streak on the finish that screams granitic minerality.

We see this as an ideal option for holiday feasts with chicken, pork, beef, and lamb, and it will also be brilliantly served with a slight chill once we enter spring and summer 2024. We love Syrah, and this is our value champion of 2023.

 

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One day, I asked Maurice to introduce me to a new producer doing something unusual, and he quickly picked up a bottle of Vincent Pinard's Sancerre. I've been hunting for his wines ever since, brought to the U.S. by the same importer as Mugnier, Comte Liger-Belair, and Lafarge. 

Pinard is in the village of Bué—some of the most prized vineyards in the region are here (alongside Chavignol). His wines are overtly stylish, each cuvée standing apart from one another. They have intense concentration and a gossamer texture that bears little resemblance to what we commonly expect from Sancerre. 

Florès comes from a collection of vineyards in Bué. Aged in stainless steel tanks, the racy and crispy classic Sauvignon Blanc citrus notes mesh perfectly with Pinard's more layered and textural style. When fall hits, and I reach for Sancerre, this is the kind of secret overachiever that delivers!

 

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Vincent Girardin's name was synonymous with Burgundy's breadth, with wines coming from enviable vineyards throughout the Côte d'Or. Although the vast terroir had undeniable gems from Grand Crus and Premier Crus, the large production made for boring wines. When Vincent sold the domaine in 2011, he kept 4.5 hectares of the top holdings for his son, Pierre. After spending time in the vines, cuverie, and cellar from a very young age, the 21-year-old Pierre wanted to take a different philosophical path with his label. He was determined to be associated with the highest quality work––albeit with much more limited availability. 

As the cuvée's label suggests, calcaire (limestone) is what Pierre wants to express, and the lens of terroir is in focus with these terrific Bourgogne wines. Pierre's methods highlight freshness and finesse––a rare move was selecting considerably larger 456L barrels for aging and favoring punchovers (as opposed to punchdowns) for the reds to keep their tannins silken. The value proposition in Burgundy is one that we bring up a lot. No doubt, pricing keeps climbing, but the emergence of new values is always around the corner. Pierre Girardin is a name that delivers in a big way with a relatively low price tag, given the quality and terroir. 

 

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Outside of the iconic Cabernet Sauvignon addresses in Bordeaux, there's one name in France that can go toe to toe with these chateaux: Mas de Daumas Gassac. As always, the provenance of older wines is a critical factor in the quality you'll find in the glass, and I'm thrilled to offer this mint condition collection from Languedoc's star estate.

Mas de Daumas Gassac was established in 1970 when Véronique and Aimé Guibert came across an abandoned farmhouse owned by the Daumas family along the Gassac River in the Herault. Underground water springs and surrounding mountains created a microclimate mirroring Bordeaux's Médoc, so they planted vine material from First Growth chateaux in Bordeaux. The region has an abundance of 100-plus-year-old plantings, with a dry climate favorable for organic viticulture. 

Made of 70% Cabernet Sauvignon supplemented with Cabernet Franc, Merlot, Pinot Noir, Tannat, and Malbec, the wines highlight espresso, dark chocolate, cigar box, brambly blackberries, and savory spices. Still, Languedoc's cooling influences and limestone bedrock have long stood out as a beacon for freshness. Alcohol levels have remained modest through stylistic shifts, never taking Bordeaux's cues when things drastically changed in the '80s.

 

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A June 2016 visit in Burgundy meant tastings with some of my favorite storied domaines like Mugneret-Gibourg and Denis Bachelet, but it was after a lunch with Jeremy Seysses at Domaine Dujac and a beautiful bottle of 1993 Clos de la Roche that I got tipped off to something happening across the street—the new Domaine Charlopin-Tissier.

Yann Charlopin-Tissier’s background is surrounded by legendary figures. His father, Philippe Charlopin, was a student of Henri Jayer as he started his own domaine in 1978. Yann worked closely with his father starting in 2004, and then with another mentor, Jean-Marie Fourrier, before launching his own domaine, now at just 4 hectares. Like these Vosne-Romanée and Gevrey Chambertin mythic names, Yann favors picking as ripe as possible and prefers de-stemming.

Yann filled me in on his methodical and organic approach to viticulture, his excruciatingly low yields, and his disdain for talking too much about winemaking choices in the cuverie. "These wines are made in the vineyard," he would repeat. And the dirt under his nails, and muddy boot prints littered throughout the courtyard drove home that point. For me, this image greatly juxtaposed with what you find in bottle––suave and sophisticated texture, luxurious mouthfeel, supported by very concentrated ripe fruit buffered with mouth-watering salinity.

My two favorite wines of the 2020 vintage capture precisely what is so special here: The Marsannay La Montagne is surely the sleeper pick in the range, but this lieu-dit coming from the top of the slope in Marsannay where it is substantially rockier than below offers a masterclass in balance, between bold, ripe, dark fruit with powdery tannins and mineral finish. The Pernand Vergelesses Sous Frétille is one of best kept secrets in Premier Cru white Burgundy. Always a site that delivers crisp salinity and a Grand Cru-level drama. Yann’s version has a ruthless intensity of fruit with a chalky grip that is truly head-turning. This reflects his ambition for powerfully concentrated wines that still somehow have a wizardly refinement on the palate.

 

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Situated between Pomerol and Saint Emilion on the second-highest point along the Gironde estuary, Chateau Le Puy is a Bordeaux estate rooted in sensibilities more commonly found in Burgundy. The wines' finesse, dead-serious focus, and drinkability are worlds apart from the stylistic norm.

These vines have been farmed free of chemicals since 1610, and today full biodynamic practices are employed, with work done by horse. The estate's plantings include 85% Merlot, 7% Cabernet Franc, 6% Cabernet Sauvignon, and small percentages of Malbec and Carménère on an amalgamation of red clay, silex, and limestone soils.

In addition to working the vines organically and biodynamically, their fermentation and élevage methods are considered uncommon. Infusion and semi-carbonic methods limit the extraction of hard tannins and retain more primary fruit traits, providing soft texture with bright, open-knit fruit out of the gate. And aging in large foudre preserves all of that verve carried into bottle.

 

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Cru Beaujolais has been a cornerstone of our selection from the start. While Foillard, Métras, Lapierre, and Dutraive represent the foundation for the greatest value reds in France, the younger generation is now clearly making its mark. Yann may be separated from the aforementioned because of age, but when you line up his wines, it's crystal clear these are commanding interpretations of terroir.

Yann grew up in Fleurie, but after studying commerce in school and traveling through the Alps, he never expected to circle back to become its generation's brightest talent. He found himself working in a wine shop, and surrounded by passionate people, the flames of curiosity were stoked. He spent time working under perhaps the region's most revered names: Yvon Métras and Jean Foillard. Like them, Yann knew that organic farming and traditional methods in the cellar would be his path forward.

In 1992, Yann's family purchased vineyards and slowly converted them to organic farming. Yann took a more active role in leading the domaine in 2013, and he began applying what he had soaked up from his apprenticeships. Similarly, Yann's style is one of elegance, silken texture, and laser focus, expressing each unique terroir in the Famille Bertrand stable.

 

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There's no producer in the Jura that executes brilliance across such a diverse range of wines and styles like that of Stéphane Tissot. And, "BBF" is the sparkling white from the Jura that you've always wanted to find in your glass. As a category, Cremant du Jura can be delicious and pleasing but rarely would take your mind to Champagne. BBF delivers here.

The name is a play on the use of 228-liter barrels for elévage, Blanc de Blancs élevé en Fût. Where this benchmark Cremant du Jura diverges from champagne is in its faint nutty aromas, baking spices, and ripe tropical notes. However, the structure is as serious as much of what you are to find from the Aube, with even more salinity and razor-fine cut reminiscent of the Côte de Blancs.

Tissot took control of his family's domaine in 1990 and worked very quickly to drastically reduce yields and convert the vineyards to organic and biodynamic viticulture. Today, Stéphane is seen as one of the world's most respected and prominent voices on the subject.

Tissot's Chardonnays each have that unmistakable reductive, flinty note that's often referred to as Noble Reduction. If you're a fan of the wines of Jean-Marc Roulot and Coche-Dury in Meursault, this distinctive smokey and matchstick trait, at its best, adds mesmerizing personality to Chardonnay.

 

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Pierre Menard reaches cult status in Europe for his lieu-dit (single-vineyard) Chenin Blancs. Simply put, Chenin gets the prime slopes in Anjou, where schist dominates, and the flatlands may see some Sauvignon Blanc. However, Menard discovered one of the first Sauvignon Blanc parcels in this region, the tiny 1957-planted Clos de la Roche atop a slope in Faye d'Anjou.

Before tasting Laïka, one should expel any notion of what this variety delivers. Typical grapefruit and lime fade into the background—much like earth did when the first living creature, a dog named Laïka, was rocketed into space in 1957—those flavors are replaced by saffron butter, a kaleidoscope of yellow fruits, and a mineral underpinning that only Anjou's schist-laden slopes convey.

Only a few cases of Laïka enter the U.S. each year. Also, do not miss Menard's stellar Chenin Blancs in equally small quantities. While we don't focus on many sweet/dessert wines, the "Cosmos" Coteaux du Layon (500 ml) blew us away. Perfect for pairing with cheese or dessert, but save the chocolate for Port!

 

That was the year the Roux family purchased the estate from Jean-Baptiste de Cibon and planted the rare goblet-trained Tibouren red variety. Tibouren is as obscure as the style of rosé that has been made here for centuries. And, the single red wine example from Cibonne is a departure stylistically from most Provence reds, as its lighter-bodied style and elegant personality strut their stuff when bottles are served chilled––a perfect summertime red.

The Cibonne rosés (five of them) are the main attraction here, and rightfully so, as they can all age and develop positively for a decade or more. Cuvée Tradition is aged in 100-year-old foudres sous-voile (under a thin veil of flor) giving faint hints of briny clementines and almonds. The fruit is not emphasized in this rosé like most, instead, notes of cardamon and anise take a prominent role next to the white peach and strawberry foundation.

If there's one thing that impresses all who drink Cibonne's rosés for the first time, it is surely the un-ending finish that lingers with spice and salty fruit thanks to the proximity of Cibonne's vines from the Mediterranean, just 800 meters away. If you've ever wanted a jolt of excitement for Provence reds or rosés, this is the historic domaine you need to try.

 

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It's overwhelmingly agreed that Raveneau and Dauvissat represent the most crowning achievements in Chablis, but Patrick Piuze is a king-in-waiting. Piuze is a wizard at working with stainless steel and oak to craft Chardonnay from Chablis' fossilized ancient sea bed that delivers the grandeur expected from these top vineyards. Like Raveneau and Dauvissat, it's the regal structure, seamless contours, and definitive cut married to this breadth that places Piuze in elite company.

Wine critic William Kelley on the vintage:

"2020 is another excellent vintage at this address, and even if the two years were very different on paper, it might be compared to a more extroverted, open-knit version of the superb 2017 vintage at this address... The resulting wines are elegantly textural but incisive, clearly differentiated by site. This is also the best address to explore the village-level Chablis AOC, as Piuze produces a number of cuvées and lieu-dit bottlings designed to highlight the diversity that this large appellation encompasses."

 

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